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iberal, free, and human. [Pg 278▓] There is, for instance, a picture there b●y Doroschenko which bears the ●harmles

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s title Everywhere is▓ life.It might, yes, it ough●t really to hang in the gallery of the Parisian,▓ for it is a work of

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Christi▓an spirit.Convicts are feed●ing doves from the railroad car● which is carrying them into exile.As a paintin▓g it

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is excellent.The light fal▓ls full upon the whirring pige●ons in the foreground and upon the co▓nvicts pressing their fa

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ces aga▓inst the iron bars of the window ▓of the car.One sees through t▓he window, and notices on the far side● of the c

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ar another barred window at which a ▓man is standing and looking out.The interior of▓ the car is almost dark.The group of

Collect from /

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con●victs in the foreground consists of a you▓ng man, evidently the guilty one▓, and his wife, who is following him ▓into exile with their year-old child▓ on her bosom.For the sake of the chi▓ld, and to please him, they a●re

th its

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feeding the doves.A bearded old man looks o▓n pleased, and a dark-bearded ▓younger man, too, whom one might sooner be●lieve guilty of some slight misdeed.But u●pon the face of all these exile▓s lies so childlike a brightness, s

artis

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o eviden●t a sympathetic pleasure in the ●joy of the child, that one rather doubts their▓ guilt than the fact that they are still cap●able of good-natured human feelings.And yet ●this picture of Christian pit▓y has not been bo

tic●

recent wroks

character desing

ught for the Pa▓risian.For it is well understood, in spite ●of its harmless title, what its meaning i●s.Everywhere is life should read, Everywh▓ere is pity, everywhere humanit▓y,[Pg 279] except among the police, in the● state, and in an autocracy.What guilt can the●se good little folk have committed—l▓ooking there so kindly at a child▓ that cooingly feeds th

cooperative comprehension of the observer▓, who is satisfied if he finds

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